Arkivera digitalt inspelad film på svart/vit film
Hur skall vi arkivera digitalt inspelad film? I Hollywood spelar de över den digitala mastern till film, antingen färgfilm eller som separationer RGB på svart/vit film. Kodak har gjort en specialfilm i färg lämplig för arkivering.
På den Belgiska filmfotografsidan finns en artikel, på engelska, om att köra ut svart/vita separationer, vilket nu görs av ett Belgiskt företag.
Läs artikeln här
Här en intressant artikel om arkivering av digital film, som jag auto-översatt från franskan till svenska
Månadsarkiv
Senaste 5 nyheterna
Lisabi Fridell FSF awarded the Guldbagge award for best cinematography
Her work on “Crossing” (Passage), directed by Levan Akin, earned her the award. The film also received awards for best film and best director. This is Lisabis’s second time receiving the award, having also received it for her cinematography on “And Then We Danced” in 2020.
Läs mer…Professors Day at Pinewood Studios
”I hear you paint houses!”
I was reminded of that famous line from Martin Scorsese’s ”The Irishman”, when SONY representative Daniel Listh told me at Camerimage recently ”We’ve heard you also teach cinematography”.
And when I confirmed that he was indeed right about that, he offered ”so we’d like to invite you a few weeks from now to our Digital Production Centre at Pinewood Studios, if the dates work with your other commitments”. Of Course I was thrilled to hear this, and asked if it’d be okay to bring along a colleague and fellow FSF Board member, and yes that was fine. SONY has the Bucks. 🙂
Läs mer…Camerimage 2024
It can’t have escaped many that the 32nd edition of the Camerimage Film Festival, held recently in the picturesque little medieval city of Torun in Poland, has been accompanied by considerable controversy. Some high-profile ”no-shows”, like director Steve mcQueen and his DP Yorick Le Saux deciding not to attend the festival even though their historical war drama ”Blitz” was the festival’s opening feature, and similarly the director-cinematographer team of Coralie Fargeat and Benjamin Kračun pulling their film ”The Substance” out of the competition, put something of a dent in the festival.
Läs mer…Fujifilm Unveils the Development of its First Filmmaking Camera “FUJIFILM GFX ETERNA”
TOKYO, November 12, 2024 – FUJIFILM Corporation announces that it is currently in the process of developing its first-ever filmmaking camera, the “FUJIFILM GFX ETERNA” (GFX ETERNA), with plans for a release in 2025. The “GFX ETERNA” will feature a large format sensor, “GFX 102MP CMOS II HS”, which is approximately 1.7 times larger than a 35mm sensor, and the high-speed image processing engine “X-Processor 5”, enabling filmmakers to capture rich, true to life visuals and have enhanced flexibility in post-production. Both the “GFX 102MP CMOS II HS” sensor and “X-Processor 5” are the latest technologies featured in the mirrorless digital camera “FUJIFILM GFX100 II”, which delivers extraordinarily high image quality with its 102 million pixels.