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We produced the ICVFX for the show ”A Nearly Normal Family”. The girl is in a studio in front of our screens here.
Igelkott uses native 360 capture from the platform of your choice – car, plane, boat, tripod. What native 360 gives us is the location’s soul that holds up in any direction. We are a replacement for shooting on location for select scenes.
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The battle for the brightest COB rages on. Aputure, now powered by Prolycht’s expertise, unveils the STORM XT52, claiming it to be the industry’s most powerful COB, rivaling 9000W HMIs. Featuring the BLAIR light engine, it offers a 2500-10,000K CCT range, full +/- Green adjustment, x,y color tuning, and an indigo emitter for enhanced daylight replication. Notably, no IP rating has been mentioned yet.
This powerhouse of a bi-color LED spotlight is built to rival 9kW HMIs and 24kW tungsten fixtures. The IP66 rated fixture has an integrated power supply and the Nebula B4 Light Engine provides a 2700K-6500K color range with Green/Magenta adjustment. Shipping starts next month, expect to see it on set soon!
Vi fortsätter våra klubbkvällar för medlemmar under våren 2025.
Nästa FSF-kväll blir tisdagen 11/3 kl.17.30-ca 20.00.
Her work on “Crossing” (Passage), directed by Levan Akin, earned her the award. The film also received awards for best film and best director. This is Lisabis’s second time receiving the award, having also received it for her cinematography on “And Then We Danced” in 2020.
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”I hear you paint houses!”
I was reminded of that famous line from Martin Scorsese’s ”The Irishman”, when SONY representative Daniel Listh told me at Camerimage recently ”We’ve heard you also teach cinematography”.
And when I confirmed that he was indeed right about that, he offered ”so we’d like to invite you a few weeks from now to our Digital Production Centre at Pinewood Studios, if the dates work with your other commitments”. Of Course I was thrilled to hear this, and asked if it’d be okay to bring along a colleague and fellow FSF Board member, and yes that was fine. SONY has the Bucks. 🙂
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The new generation 65 mm camera is one-third the size and weight of its predecessor. It features a revised 65 mm sensor, the color science from Alexa 35 and a new filter cartridge system.
It can’t have escaped many that the 32nd edition of the Camerimage Film Festival, held recently in the picturesque little medieval city of Torun in Poland, has been accompanied by considerable controversy. Some high-profile ”no-shows”, like director Steve mcQueen and his DP Yorick Le Saux deciding not to attend the festival even though their historical war drama ”Blitz” was the festival’s opening feature, and similarly the director-cinematographer team of Coralie Fargeat and Benjamin Kračun pulling their film ”The Substance” out of the competition, put something of a dent in the festival.
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TOKYO, November 12, 2024 – FUJIFILM Corporation announces that it is currently in the process of developing its first-ever filmmaking camera, the “FUJIFILM GFX ETERNA” (GFX ETERNA), with plans for a release in 2025. The “GFX ETERNA” will feature a large format sensor, “GFX 102MP CMOS II HS”, which is approximately 1.7 times larger than a 35mm sensor, and the high-speed image processing engine “X-Processor 5”, enabling filmmakers to capture rich, true to life visuals and have enhanced flexibility in post-production. Both the “GFX 102MP CMOS II HS” sensor and “X-Processor 5” are the latest technologies featured in the mirrorless digital camera “FUJIFILM GFX100 II”, which delivers extraordinarily high image quality with its 102 million pixels.
Fackförbundet Scen & Film fördelar 30 stipendier à 20 000 kronor (efter skatt) till utövande konstnärer och upphovspersoner, till exempel skådespelare, filmfotografer, dansare, scenografer, regissörer, koreografer, musikalartister och kostym-designer.
Varmt välkomna tillbaka till Barbros.
Tisdagen 19/11 kommer Marek Septimus Wieser gästa oss. Hans senaste produktion Stenbeck är en dramaserie i fem delar i regi av Goran Kapetanovic har premiär på SVT i mars 2025.
Marek kommer också att prata om och visa scener ur dramaserien Karantina-En internationell produktion inspelad bland annat i Athen och Beirut med casting från Libanon, Saudi Arabien, Syrien, Egypten, USA och England, även den i regi av Goran Kapetanovic.
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