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We produced the ICVFX for the show ”A Nearly Normal Family”. The girl is in a studio in front of our screens here.
Igelkott uses native 360 capture from the platform of your choice – car, plane, boat, tripod. What native 360 gives us is the location’s soul that holds up in any direction. We are a replacement for shooting on location for select scenes.
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Vi fortsätter våra klubbkvällar för medlemmar under våren 2025.
Nästa FSF-kväll blir tisdagen 22/4 kl.17.30-ca 20.00.
Då träffar vi Josua Enblom är utbildad vid bland annat Kulturama och har en masterexamen i filmfotografi från SKH. Josua står bakom filmfotot i några av de senaste årens prisbelönta filmer:
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Nea Harnebrandt Asphäll, Milja Rossi och jag, Ragna Jorming, hade förmånen att få vara FSF:s representanter på Nordic Opportunities Week, NOWLA, en serie möten, diskussioner och middagar för nordiska filmfotografer och producenter i Los Angeles i början av mars 2025. Som en del av programmet besökte vi agenturen Innovative Artists Agency, som representerar ”top industry professionals in film, television and commercial production”. Där träffade vi Craig Mizrahi, som höll en matnyttig genomgång av hur samarbetet med en amerikansk agent ser ut, så det här är läsning för den som skulle kunna vara intresserad av att skaffa representation och arbeta i USA.
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Milja Rossi, Nea Harnebrandt Asphäll och Ragna Jorming syns på årets Oscarsgala i Los Angeles och representerar FSF. Under kommande vecka deltar de även i NOW-eventet, där nordiska kreativa talanger möter sina amerikanska motsvarigheter.
Just as the Christmas holidays are drawing to a close, the first invitations to what is certainly the most epic of European motion picture business trade shows: the BSC Expo, begin to appear in your email. In addition to the February 14th – 15th Main Event itself, there are invitations to Open Houses, dinners, parties, and other special events. A particularly irresistible one is the Thursday 13th pre-BSC VIP open house at CVP’s stunning Fitzrovia showroom in Great Titchfield Street, so of course I head there straight from the airport. One of the perks of being invited to CVP’s showroom -other than all the wonderful gear on display of course- is that you can actually skip the long queues at the Expo by simply picking up your VIP badge right there at CVP. Another perk is that you get transported in style over to the venue in Battersea Park, courtesy of CVP’s charming double-decker bus!
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The battle for the brightest COB rages on. Aputure, now powered by Prolycht’s expertise, unveils the STORM XT52, claiming it to be the industry’s most powerful COB, rivaling 9000W HMIs. Featuring the BLAIR light engine, it offers a 2500-10,000K CCT range, full +/- Green adjustment, x,y color tuning, and an indigo emitter for enhanced daylight replication. Notably, no IP rating has been mentioned yet.
This powerhouse of a bi-color LED spotlight is built to rival 9kW HMIs and 24kW tungsten fixtures. The IP66 rated fixture has an integrated power supply and the Nebula B4 Light Engine provides a 2700K-6500K color range with Green/Magenta adjustment. Shipping starts next month, expect to see it on set soon!
Vi fortsätter våra klubbkvällar för medlemmar under våren 2025.
Nästa FSF-kväll blir tisdagen 11/3 kl.17.30-ca 20.00.
Her work on “Crossing” (Passage), directed by Levan Akin, earned her the award. The film also received awards for best film and best director. This is Lisabis’s second time receiving the award, having also received it for her cinematography on “And Then We Danced” in 2020.
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”I hear you paint houses!”
I was reminded of that famous line from Martin Scorsese’s ”The Irishman”, when SONY representative Daniel Listh told me at Camerimage recently ”We’ve heard you also teach cinematography”.
And when I confirmed that he was indeed right about that, he offered ”so we’d like to invite you a few weeks from now to our Digital Production Centre at Pinewood Studios, if the dates work with your other commitments”. Of Course I was thrilled to hear this, and asked if it’d be okay to bring along a colleague and fellow FSF Board member, and yes that was fine. SONY has the Bucks. 🙂
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The new generation 65 mm camera is one-third the size and weight of its predecessor. It features a revised 65 mm sensor, the color science from Alexa 35 and a new filter cartridge system.
