FSF Styrelse

Ordförande: Olof Johnson / Alex Lindén

Sekreterare: Charlotta Tengroth

Kassör: Roland Sterner

Styrelseledamöter: Ewa Cederstam, Kenneth Ishii, Ragna Jorming, Malin Nicander, Erik Persson, Michael Petersen, Frida Wendel

Suppleanter: Ulf Brantås, Lukas Eisenhauer, Lars Pettersson, Andres Rignell, Roy Rossovich, Bratislav Stankovic, Per Arne Svensson

FSF:s representanter i övriga landet:

Skåne: Nille Leander, JonRudberg

Götebrog: Michael Petersen

Norrland: Stefan Hencz

Månadsarkiv

Senaste 5 nyheterna

2019-08-09 | FSF

The FSF Day 2019

The FSF Day is a public event dedicated to the art of cinematography presented by the Swedish Society of Cinematographers in Stockholm from August 29–30, 2019 at the Film House, home of the Swedish Film Institute and the very center of the Swedish film industry.

Läs mer…

2019-08-22 | Hans Hansson

ARRI Launches New Remote Head That’s a Real Gamechanger

Once again, ARRI is making all of our lives easier. ARRI’s new Digital Encoder Head (DEH-1) is the first digitally-encoded head that can communicate through LBUS.

The DEH-1 will enable shooters to remotely control their tripod with Cartoni technology to communicate through ARRI’s LBUS protocol that is connected to the Stabilized Remote Head (SRH-3). The DEH-1 is a standard ARRI designed fluid head that attached with any Mitchell flat based tripod or support and with an adjustable drag system for precise pan and tilt movements, the DEH-1 is intuitive and easy to use, and promises to be a smarter alternative to using a wireless joystick or hand wheel.

Läs mer här

2019-08-16 | Hans Hansson

“Once Upon A Time … In Hollywood”

Idag, fredagen den 16 augusti, hade Tarantinos senaste film premiär. Mottagandet bland kritiker varierar stort, från 1 till 4 poäng. Här en artikel i forbes.com om dess fotograf Robert Richardson, ASC, vilket är hans sjätte film för Tarantino.

– We shot on film. Quentin not only shot on film, but he printed all the select dailies on film and viewed them in a projection room,” Richardson continued. “So, our initial grading was on film. It took us a little time in our dailies to get to where we felt we wanted it to be. It took me a little time as we went through it to see, ‘Oh, should I push the stock a little more? Do I want to give it more grain? A little less grain? How does that influence it? How does it influence the dailies on film?’ And then we would emulate that look for him in Avid, which is digital.

Länk till artikel i forbes.com

Artikel i indiewire.com

Läs mer…

2019-08-11 | Hans Hansson

Film and Digotal Times nr.96, aug. 2019

Nu kan du ladda ner senaste numret av Film and Digital Times. Bl.a. kan du läsa om:

Angénieux Optimo Prime Introduction

Bruno Delbonnel and the Angénieux Lens Award at Cannes

SIGMA Full Frame fp Camera and Lens Launch

SIGMA Full Frame Classic Art Cine Primes

All Roads Lead to CVP – Episode 2

EMIT

KO Film Rentals

RED on “Innocents of Florence”

Ladda ner som pdf

2019-08-11 | Andrés

Master Class with Roger Deakins – ICFF Manaki Brothers 2018

The Academy Award-winner, the great British cinematographer Roger Deakins was this year’s recipient of the prestigious award Golden Camera 300 for Lifetime Achievement at the 39th edition of the International Cinematographers’ Film Festival Manaki Brothers. He held a Master Class as part of the festival program, where he spoke of his film work during his long career.

Se klippet här