Cannes: kameror och objektiv

Indiewire har gjort en samman-ställning på de kameror och objektiv som användes till de vinnande 54 filmerna. Arri Alexa Mini är den kamera som använts till de flesta filmerna. OBS! det är fyra sidor.

Foto: “Atlantics” cinematographer Claire Mathon

Läs artikel här

Lär känna 20 fotografer till filmer i Cannes

Månadsarkiv

Senaste 5 nyheterna

2022-09-23 | Hans Hansson

IBC 2022 Welcome to this week’s Cinematography World Dispatch

The team attended IBC2022’s return as a face-to-face show in Amsterdam, where it was great to catch up with some familiar as well as lots of new faces.

Kaz Pearman from Cinematography World talks to Luke Curtis, UK & EU Marketing Manager at Nanlite Global about its groundbreaking new lighting product.

You can listen to the interview here

2022-09-23 | Hans Hansson

ECA 2022 Honorees

ICG’s annual Emerging Cinematographer Awards (ECAs) have honored Local 600 members who aim to rise to the position of Director of Photography.

IMAX: The New Cameras Will Open New Opportunities for Filmmakers

In an interview with Forbes, the Senior Vice President Head of Post at IMAX Corporation explained the logic behind developing four new IMAX cameras. “They will make for IMAX sequences with a different feel — Directors will be able to use them for more intimate, personal moments, not just for big, noisy action sequences” he said. Imagine that: Using those beasts in dialog scenes…

Australian Film is World’s First to Use Real-Time Ray Tracing in Production

The new Australian film Don’t Go Below is the world’s first to use a real-time ray tracing system that utilizes ultra short throw projectors and ambient light-rejecting screens, melding a digital environment with actors.

Ray tracing is a computer modeling technique that is able to render how light hits objects in a way that mimics how it acts in real life. It is incredibly hardware intensive and for a long time had a significant impact on framerate, but new commercial graphics cards have been optimized to allow for the use of the technology while maintaining a decent framerate. The result has been a boon for the quality of video game graphics, but it also has applications in films.

Read the article and watch the video

2022-09-20 | Andrés

Australian Film is World’s First to Use Real-Time Ray Tracing in Production

The new Australian film Don’t Go Below is the world’s first to use a real-time ray tracing system that utilizes ultra short throw projectors and ambient light-rejecting screens, melding a digital environment with actors.

Läs mer här

You can listen to the interview here

Read more at ICH Magazine

Read more at YM Cinema

Read the article and watch the video

Cannes: kameror och objektiv

Månadsarkiv

Senaste 5 nyheterna

IBC 2022 Welcome to this week’s Cinematography World Dispatch

The team attended IBC2022’s return as a face-to-face show in Amsterdam, where it was great to catch up with some familiar as well as lots of new faces.

Kaz Pearman from Cinematography World talks to Luke Curtis, UK & EU Marketing Manager at Nanlite Global about its groundbreaking new lighting product.

ECA 2022 Honorees

ICG’s annual Emerging Cinematographer Awards (ECAs) have honored Local 600 members who aim to rise to the position of Director of Photography.

IMAX: The New Cameras Will Open New Opportunities for Filmmakers

Australian Film is World’s First to Use Real-Time Ray Tracing in Production

The new Australian film Don’t Go Below is the world’s first to use a real-time ray tracing system that utilizes ultra short throw projectors and ambient light-rejecting screens, melding a digital environment with actors.

Australian Film is World’s First to Use Real-Time Ray Tracing in Production

FSF