“My main takeaway from Cine Gear this year was that while there wasn’t any one product that really surprised me or knocked my socks off, it appears that companies are really making an effort to return control of the image to the cinematographer, and I really like that trend. ARRI’s textures, Angenieux’s in-lens filters, LED Volume production, are all leading to more in-camera filmmaking, and less post-production shenanigans.”
That was cinematographer Luke Miller, speaking about this year’s edition of Cine Gear, held earlier last month in L.A., and returning to the LA Convention Center, for the second time.
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