John Brawley, ACS, URSA 12K, “Desperate Hour”
The Desperate Hour is one of the first features where a Blackmagic URSA Mini Pro 12K was the “A” camera. Actually, there were four URSA 12K cameras on the film. Cinematographer John Brawley, ASC discusses cameras, Supreme Prime and Angénieux lenses, lighting, equipment and more.
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2023-12-08 |
Hans Hansson
‘About Lenses’
It was a great seminar: ‘About Lenses’ with Lawrence Sher at Camerimage 2023. “A talk about lenses with Lawrence Sher, ASC” during CamerImage 2023 was was a great success and the feedback was enormous. We would like to thank you for your strong participation in the seminar!
Having completed his most recent projects “Joker: Folie à Deux” (Ottoblad) and “Black Adam” (TECHNOVISION 1.5X). American Cinematographer and film director Lawrence Sher, ASC discussed with Fritz Heinzle (Otto Nemenz) and Gerhard Baier (P+S Technik) on how to find lenses, how to choose lenses, and how to modify lenses.
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2023-12-07 |
Hans Hansson
Hat, slajm och barnvakter
Bland de senaste produktionsstöden från SFI finns dokumentärer om högerextremism på internet och regimkritiska iranska journalister. Kortfilmerna innehåller skräck med David Dencik och en arbetsplatskomedi med Johan Ulveson. Stöd har även gått till talangarbete i hela landet.
Bild från filmen Hacking Hate. Foto: Iván Blanco.
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2023-12-07 |
Hans Hansson