Mogul Mowgli shot by cinematographer Annika Summerson
In-depth research, artistic inspiration and flexibility for improvisation ensured cinematographer Annika Summerson’s lensing of Bassam Tariq’s first long-form fiction production was authentic and organic.
Summerson filmed with the ARRI Alexa Mini, partly because Tariq already felt comfortable with the camera. “It was important to include some familiar elements and take risks in other areas. We used the Cooke Panchro/i Classic lenses as they create a little distortion around the edges which we used to our advantage.”
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2022-09-23 |
IBC 2022 Welcome to this week’s Cinematography World Dispatch
The team attended IBC2022’s return as a face-to-face show in Amsterdam, where it was great to catch up with some familiar as well as lots of new faces.
Kaz Pearman from Cinematography World talks to Luke Curtis, UK & EU Marketing Manager at Nanlite Global about its groundbreaking new lighting product.
You can listen to the interview here
2022-09-22 |
IMAX: The New Cameras Will Open New Opportunities for Filmmakers
In an interview with Forbes, the Senior Vice President Head of Post at IMAX Corporation explained the logic behind developing four new IMAX cameras. “They will make for IMAX sequences with a different feel — Directors will be able to use them for more intimate, personal moments, not just for big, noisy action sequences” he said. Imagine that: Using those beasts in dialog scenes…
Read more at YM Cinema
2022-09-20 |
