Mogul Mowgli shot by cinematographer Annika Summerson
In-depth research, artistic inspiration and flexibility for improvisation ensured cinematographer Annika Summerson’s lensing of Bassam Tariq’s first long-form fiction production was authentic and organic.
Summerson filmed with the ARRI Alexa Mini, partly because Tariq already felt comfortable with the camera. “It was important to include some familiar elements and take risks in other areas. We used the Cooke Panchro/i Classic lenses as they create a little distortion around the edges which we used to our advantage.”
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Senaste 5 nyheterna
2021-07-24 |
Charlotte Bruus Christensen ASC, DFF / Black Narcissus
Cinematographer Charlotte Bruus Christensen ASC ventured into directorial territory for the first time when making three-part mini-series Black Narcissus – the BBC, DNA Films and FX co-production based on Rumer Godden’s 1939 novel.
Zoe Mutter caught up with her in a fascinating interview in which she shares her references for the film, discusses the challenges of shooting at almost 4,000 feet in the mountains of Nepal, and adopting delicate camera movements to tell a story of stifled desires.
You can read the entire interview now by clicking here…
2021-07-19 |
Bergman Island
Shooting in 2-perf on Kodak 35mm film, renowned French cinematographer Denis Lenoir, AFC, ASC, combined natural lighting together with character-focussed camera moves to bring an exquisite look to the storytelling in Mia Hansen Løve’s Bergman Island. The film is in-competition for the prestigious Palme d’Or at the 2021 Cannes Film Festival.
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2021-07-17 |
Jost Vacano ASC BVK to be honoured with EnergaCAMERIMAGE lifetime award
Jost Vacano ASC/BVK, born in 1934 in Osnabrück, is one of the most successful German cinematographers. His interest in cinema developed relatively early in his life. He learned filmmaking first by going to the cinema, then on the sets of short films by Peter Schamoni. The collaboration with the director resulted in a dynamically developing television career in the 1960s. Working with such directors as Hansgünther Heyme, Peter Zadek, Wilm ten Haaf, Eberhard Itzenplitz, Rainer Wolffhardt, Rolf Hädrich and Peter Beauvais, Jost Vacano taught himself the tools of the trade through autodidactic practical experience. His interest in technology allowed him to try out new possibilities and invent devices and shooting aids that were not readily available at the time.
“The Lost Honor Of Katharina Blum”, Volker Schlöndorff, and “Das Boot”, Wolfgang Petersen, is only two of Jost Vacano well know films.
Läs artikeln på Cinematograpy World
2021-07-17 |