Panavision Millennium DXL
Efter samarbetet med Sony av den digitala kameran Genesis har Panavision byggt om Alexa och Sony F55, men nu har Panavision seden en tid tillbaka presenterat en ny kamera med en 8K RED sensor, kamerahus av Panavision och för intern färgbehandling står företaget Light Iron Color, ett Panavision-företag.
Sensorn har måtten 40,96 x 21,60 mm, alltså gott och väl s.k. full format. Den kan spela in 60 b/s i 8K RAW, har ett dynamiskt omfång på 15 steg. Spelar samtidigt in 8K RAW och proxy i 4K eller 2K, ProRes eller DNx.
Senaste 5 nyheterna
Professors Day at Pinewood Studios
”I hear you paint houses!”
I was reminded of that famous line from Martin Scorsese’s ”The Irishman”, when SONY representative Daniel Listh told me at Camerimage recently ”We’ve heard you also teach cinematography”.
And when I confirmed that he was indeed right about that, he offered ”so we’d like to invite you a few weeks from now to our Digital Production Centre at Pinewood Studios, if the dates work with your other commitments”. Of Course I was thrilled to hear this, and asked if it’d be okay to bring along a colleague and fellow FSF Board member, and yes that was fine. SONY has the Bucks. 🙂
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Camerimage 2024
It can’t have escaped many that the 32nd edition of the Camerimage Film Festival, held recently in the picturesque little medieval city of Torun in Poland, has been accompanied by considerable controversy. Some high-profile ”no-shows”, like director Steve mcQueen and his DP Yorick Le Saux deciding not to attend the festival even though their historical war drama ”Blitz” was the festival’s opening feature, and similarly the director-cinematographer team of Coralie Fargeat and Benjamin Kračun pulling their film ”The Substance” out of the competition, put something of a dent in the festival.
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