Rocking Lenses, Rolling Cameras

Lens selection for Elvis was informed by five years of deep research on these references and many more. After Walker and Luhrmann discussed their influences with Panavision’s Dan Sasaki, an ASC associate, he showed them various 65mm lenses, but they decided on the company’s Sphero 65s, which the filmmakers opted to employ for the first half of their film.
Read the article from American Cinematographer
Here you can read an article from Cinematography World