2025-12-19 |
Det finns inget tråkigare än en snygg bild – ett samtal mellan filmfotografen Lisabi Fridell och Adam Nilsson
Tag: Los Angeles
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30172
2025-05-18 |
FSF i Los Angeles: Teknik, representation och arbetsvillkor – en rapport från Nordic Opportunity Week 2025
Under Nordic Opportunity Week 2025 representerade vi FSF i Los Angeles tillsammans med en delegation bestående av kvinnliga filmfotografer från Sverige, Norge och Finland. Med oss fanns även regissörer och producenter från samma länder. Syftet ...
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30133
2025-03-11 |
Agenturmöte: Nordic Opportunities Week
Nea Harnebrandt Asphäll, Milja Rossi och jag, Ragna Jorming, hade förmånen att få vara FSF:s representanter på Nordic Opportunities Week, NOWLA, en serie möten, diskussioner och middagar för nordiska filmfotografer och producenter i Los Angele...
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30129
2025-03-03 |
NOW 2025
Milja Rossi, Nea Harnebrandt Asphäll och Ragna Jorming syns på årets Oscarsgala i Los Angeles och representerar FSF. Under kommande vecka deltar de även i NOW-eventet, där nordiska kreativa talanger möter sina amerikanska motsvarigheter. https:...
Senaste 5 nyheterna
2025-12-16 |
Camerimage 2025 – Reflections by Lars Pettersson
The 33rd International Camerimage Film Festival took place between the 15th and 22nd of November in the picturesque little medieval city of Torun, birthplace of famed astronomer Nicolaus Copernicus and one of Poland’s national treasures. The film schools of Lodz and Warsaw must also surely be counted among Poland’s proudest cultural heritage. And we’ll get to them in a little while.
This year’s festival differs from those of recent years, in that there is no life achievement award given to a famous director of photography. Instead, the festival coordinators have decided to make this edition a tribute to, and a celebration of the work of, Director David Lynch.
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2025-12-15 |
My key takeaway from Camerimage concerns AI
At Camerimage this year, a recurring theme for the seminars was AI. For me, the key takeaway came from a passionate speech by former ASC president Michael Goi. It was a call-to-arms of sorts, not against AI, but to engage with AI.
Michael argued that there is a window of opportunity, where cinematographers and filmmakers can engage in dialogue with the developers, and influence the technological advancement. It is of utmost importance that we do engage with the developers of these tools. If we don’t, they might develop in a trajectory that could damage visual storytelling.
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2025-12-11 |
A Personal, Slightly Chaotic, Entirely Honest Report from CAMERIMAGE 2025
There are two types of people in this world:
1. Those who think Camerimage is a calm, reflective cinematography festival.
2. Those who have actually BEEN to Camerimage.
For us DoPs, Camerimage is the annual ritual where we briefly emerge from whatever shoot we just wrapped… only to immediately return to total darkness and spend 10 hours a day in cinemas watching films until any sense of “morning” or “evening” simply stops existing.
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