The immersive camera movement of “1917”

Bild från: ARRI

Video interview with Roger Deakins CBE, ASC, BSC, his wife James Deakins, and TRINITY operator Charlie Rizek about how they used ARRI ALEXA Mini LF, ARRI Signature Prime lenses, and TRINITY stabilization to achieve the real-time camerawork of Sam Mendes’ technically audacious war film “1917.”

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