A Clear Look at the Issue of Resolution
Här en intressant artikel och videos från American Cinematographer Magazine, där Steve Yedlin, ASC, testar sex olika kameror.
–Steve Yedlin, ASC offers an intriguing demonstration on how capture formats, pixel counts and postproduction techniques affect image quality and why simply counting Ks is not a solution when selecting a camera.
–The comparison footage used in the presentation was shot in 2016 using six different camera systems: Arri Alexa 65, Arri Alexa XT, Arri 435 (shooting 4-perf Super 35, which was scanned at 6K with an ArriScanner), Red Weapon 6K, Sony F55 and an Imax MSM3 (shooting 15-perf 65mm, scanned at 11K with Imagica).
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Rodrigo Prieto AMC ASC on Barbie
Rodrigo Prieto AMC ASC was prepping Martin Scorsese’s Killers of the Flower Moon when he received Greta Gerwig’s initial call about Barbie, and was immediately intrigued. “Any film Greta called me about I would have jumped on – I already admired her work and was drawn to her energy on the occasions we’d met,” he says.
We take a trip to Barbie Land with cinematographer Rodrigo Prieto ASC AMC to find out how he helped make writer/director Greta Gerwig’s concept of “authentic artificiality” a reality
Read the article at British Cinematographer
RED V-Raptor Goes Face-Tracking-Auto-Focus
RED Digital Cinema has released the new firmware for its DSMC3 flagship, V-Raptor VV 8K camera. One of the major features is the Face Tracking Auto Focus (alpha form). That’s an indication that RED continues to sharpen DSMC3 AF capabilities. However, RED knows that it has a long way to go.
Read the article at YM Cinema
For ‘Jeanne du Barry’ Laurent Dailland AFC using Kodak 35mm film
When it came to shooting her sixth feature, Jeanne du Barry, in which she also stars, director Maïwenn turned to the talents of veteran French cinematographer Laurent Dailland AFC and his expertise in shooting on 35mm film, albeit after a ten-year absence of capturing in analog format.
Read the article at Kodak Filmmaker Stories
Arri Skypanel X announced
This is the new generation of the workhorse LED fixture that was first introduced in April 2015. Skypanel X is a 2×1 fixture featuring a 6-colour RGBACL LED, it is IP66 weatherproof and has a modular design. The panel is now divided into eight pixel zones that can be programmed/animated. In CCT mode it can go from 1,500 to 20,000K.
For more information visit ARRI’s website.
Milad Alamis film Motståndaren utsedd till Sveriges Oscarbidrag
Vid en pressträff i Filmhuset i Stockholm idag avslöjades att Milad Alamis film Motståndaren är Sveriges bidrag till en Oscar för Bästa internationella film (Best International Feature Film).
Bild: Milad Alami (i mitten) tillsammans med skådespelarna Marall Nasiri och Ardalan Esmaili. Foto: Per Perstrand, Svenska Filminstitutet.
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