2025-12-19 |
Det finns inget tråkigare än en snygg bild – ett samtal mellan filmfotografen Lisabi Fridell och Adam Nilsson
Category: Nyheter
-
30006
2024-09-28 |
Iga Mikler – Säsongspremiär Klubb Barbros torsdagen 17/10, 2024
Varmt välkomna tillbaka till Barbros torsdag 17/10 kl. 17.30 då öppnar vi dörrarna åter för Barbros och hälsar vår gäst filmfotografen Iga Mikler riktigt varmt välkommen! Styrelsen för FSF har bjudit in Iga Mikler för att dela med sig...
-
30003
2024-09-24 |
Film and Digital Times: IBC 2024 Slideshow
Read full article online here!...
-
29977
2024-09-18 |
Exploring the World of Leitz Cine Lenses
On Thursday 22nd of August the event ”Exploring the World of Leitz Cine Lenses” was held at Ljud & Bildmedia AB in the Stockholm suburb of Johannesfred. It was a collaboration between lens manufacturer Leitz Cine and the FSF, the Swedish Soci...
-
29975
2024-09-12 |
Blackmagic URSA Cine 17K 65
The new high-end flagship model from Blackmagic is revealed to be priced at $30k. The camera features an impressive 17K 65mm RGBW-sensor and will start shipping later this year. Read more at ymcinema.com...
-
29973
2024-09-11 |
Film and Digital Times IBC Edition 2024
This is the big 96-page online edition of FDTimes September 2024. Print copies are in the mail to subscribers and partners. An abridged 64-page print edition is being distributed at IBC Amsterdam—FDTimes Lite—because of suggestions that 96 pages ...
-
29970
2024-09-11 |
Canon Introduces the C80 6K Full-Frame Cinema Camera
The successor to the C70 is here. The RF-mount full-frame camera features a back-illuminated stacked CMOS sensor, triple-base ISO, advanced autofocus and 12G-SDI. Read more at ymcinema.com...
-
29967
2024-09-09 |
Leica adds 3 new focal lengths to the Hugo range.
Joining the 10 existing Leitz Hugo focal lengths, the Hugo II lenses, named for their slower aperture, introduce new options that offer some size advantages and slightly different looks with the 75 mm and 90 mm, while the 66 mm fills the gap between ...
-
29948
2024-09-04 |
RED drops pricing on Komodo and Komodo-X
RED DIGITAL CINEMA REVEALS A NEW PRICE POINT FOR KOMODO-X AND KOMODO CAMERA SYSTEMS...
-
29947
2024-09-04 |
Film i fokus: Ett samtal mellan filmfotograferna Jens Fischer och Frida Wendel
Jens Fischer, FSF och Frida Wendel, FSF berättar om sina karriärer och produktioner de varit med i. Om olikheter och likheter i produktionsätt för och nu. Om kameror och optik. Om regissörer och teamet. Om ambitionsnivän och verkligheten. Om ar...
-
29943
2024-08-05 |
SIGMAS first ever cinema lens with AF
SIGMA will be showing a prototype of the 28-45mm T2 Cine zoom lens at IBC. The lens is currently under development and is based on the 28-45mm F1.8 DG DN Art. We have seen “cine lenses” with AF in the past, but the “cine aspect̶...
Senaste 5 nyheterna
2025-12-16 |
Camerimage 2025 – Reflections by Lars Pettersson
The 33rd International Camerimage Film Festival took place between the 15th and 22nd of November in the picturesque little medieval city of Torun, birthplace of famed astronomer Nicolaus Copernicus and one of Poland’s national treasures. The film schools of Lodz and Warsaw must also surely be counted among Poland’s proudest cultural heritage. And we’ll get to them in a little while.
This year’s festival differs from those of recent years, in that there is no life achievement award given to a famous director of photography. Instead, the festival coordinators have decided to make this edition a tribute to, and a celebration of the work of, Director David Lynch.
Läs mer…
2025-12-15 |
My key takeaway from Camerimage concerns AI
At Camerimage this year, a recurring theme for the seminars was AI. For me, the key takeaway came from a passionate speech by former ASC president Michael Goi. It was a call-to-arms of sorts, not against AI, but to engage with AI.
Michael argued that there is a window of opportunity, where cinematographers and filmmakers can engage in dialogue with the developers, and influence the technological advancement. It is of utmost importance that we do engage with the developers of these tools. If we don’t, they might develop in a trajectory that could damage visual storytelling.
Läs mer…
2025-12-11 |
A Personal, Slightly Chaotic, Entirely Honest Report from CAMERIMAGE 2025
There are two types of people in this world:
1. Those who think Camerimage is a calm, reflective cinematography festival.
2. Those who have actually BEEN to Camerimage.
For us DoPs, Camerimage is the annual ritual where we briefly emerge from whatever shoot we just wrapped… only to immediately return to total darkness and spend 10 hours a day in cinemas watching films until any sense of “morning” or “evening” simply stops existing.
Läs mer…