ARRI announces the ALEXA 265
The new generation 65 mm camera is one-third the size and weight of its predecessor. It features a revised 65 mm sensor, the color science from Alexa 35 and a new filter cartridge system.
XR combines a high-performance LED screen, simultaneous capture, and real-time rendering with camera tracking. It allows for the creation of highly realistic content without further post-production. Läs mer och se en video på American Cinematograph...
Hollywood kan andas ut – det ser inte ut att bli någon strejk bland filmarbetarna från måndag. Förhandlarna från filmarbetarnas fackförbund IATSE säger att de nått ett avtal om förbättrade villkor. De exakta detaljerna har inte offentligg...
British Cinematographer’s video on demand player offers inspiration and insight for cinematographers and the wider filmmaking community. Curating some of the latest and greatest videos along with original content, the player is dedicated to celebra...
Canon will reportedly soon release a dual 5.2mm f/2.8 L fisheye lens designed for the creation of virtual reality content. Läs mer här...
Nu kan du ladda hem senaste numret av ICG Magazine med många läsvärda artiklar. Ladda ner här...
In this video, Eric Weidt talks about his collaboration with director David Fincher – from defining the workflow to creating the look and feel of ‘Mindhunter’. Eric will break down scenes and run through colour grading details of the masterful ...
Den svenska Oscarskommittén har nu utsett tre kandidater som kan bli Sveriges bidrag till en Oscar för Bästa internationella film (Best International Feature Film). – Extra roligt med årets tre utvalda filmer är att de skildrar så starka pers...
Igår hade den 25:e filmen om James Bond premiär. Linus Sandgren, FSF, ASC, filmens fotograf har filmat Bond-filmen med 65 mm film och använt både Panavision och IMAX kameror. Efter sina erfarenheter från ”First Man” som gjordes med IMAX-form...
Will standard 35mm lenses (before Open Gate era) cover ARRI’s next, new Super35 camera? ARRI Camera Systems Product Manager Marc Shipman-Mueller was kind enough to elucidate. Yes, the sensor has almost the same dimensions as the ALEXA Mini Se...
Consistent in size and speed to serve a broad range of productions. The set of 13 primes covers from 15 mm to 150 mm, all at T2.1. They are built from scratch for cinematography and are completely produced in Germany. ELSIE lenses incorporate the war...