Clairmont Camera Film & Digital
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Aputure launches the STORM XT52– 5200W
The battle for the brightest COB rages on. Aputure, now powered by Prolycht’s expertise, unveils the STORM XT52, claiming it to be the industry’s most powerful COB, rivaling 9000W HMIs. Featuring the BLAIR light engine, it offers a 2500-10,000K CCT range, full +/- Green adjustment, x,y color tuning, and an indigo emitter for enhanced daylight replication. Notably, no IP rating has been mentioned yet.
![](https://fsfsweden.se/wp-content/uploads/2025/02/NANLUX-Evoke-5000B-1300x750-1.jpg)
Nanlux unveils the Evoke 5000B
This powerhouse of a bi-color LED spotlight is built to rival 9kW HMIs and 24kW tungsten fixtures. The IP66 rated fixture has an integrated power supply and the Nebula B4 Light Engine provides a 2700K-6500K color range with Green/Magenta adjustment. Shipping starts next month, expect to see it on set soon!
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Lisabi Fridell FSF awarded the Guldbagge award for best cinematography
Her work on “Crossing” (Passage), directed by Levan Akin, earned her the award. The film also received awards for best film and best director. This is Lisabis’s second time receiving the award, having also received it for her cinematography on “And Then We Danced” in 2020.
Läs mer…![](https://fsfsweden.se/wp-content/uploads/2025/01/6-Sony_Pinewood-scaled.jpg)
Professors Day at Pinewood Studios
”I hear you paint houses!”
I was reminded of that famous line from Martin Scorsese’s ”The Irishman”, when SONY representative Daniel Listh told me at Camerimage recently ”We’ve heard you also teach cinematography”.
And when I confirmed that he was indeed right about that, he offered ”so we’d like to invite you a few weeks from now to our Digital Production Centre at Pinewood Studios, if the dates work with your other commitments”. Of Course I was thrilled to hear this, and asked if it’d be okay to bring along a colleague and fellow FSF Board member, and yes that was fine. SONY has the Bucks. 🙂
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