Film i fokus: Ett samtal mellan filmfotograferna Jens Fischer och Frida Wendel
Jens Fischer, FSF och Frida Wendel, FSF berättar om sina karriärer och produktioner de varit med i. Om olikheter och likheter i produktionsätt för och nu. Om kameror och optik. Om regissörer och teamet. Om ambitionsnivän och verkligheten.
Om arbetsvillkoren och livet.
Samtalsledare är Simon Norrthon.
Datum och tid: 12 september kl. 14.00
Plats: Bio Mauritz, Filmhuset i Stockholm
Anmäl dig till denna E-post:
anmalan@scenochfilm.se senast 11 september.
Begränsat antal platser, först till kvarn!
Samtalet är även öppet för de som inte är medlemmar i Scen & Film. Känner du nägon som inte är medlem som kan vara intresserad? Dela denna inbjudan!
Senaste 5 nyheterna
Film and Digital Times IBC Edition 2024
This is the big 96-page online edition of FDTimes September 2024. Print copies are in the mail to subscribers and partners.
An abridged 64-page print edition is being distributed at IBC Amsterdam—FDTimes Lite—because of suggestions that 96 pages pushed the weight limits of endurance navigating IBC-RAI.
Download or Print-it-yourself 34 MB PDF for Subscribers via login.
Click the Free Access button (below) for the 18 MB PDF Complimentary Edition.
Set Adobe Acrobat Reader to 2-page view, show cover page. Set Apple Preview to View>2 pages.
Read here: https://www.fdtimes.com/pdfs/free/127FDTimes-Sept2024-150.pdf
Leica adds 3 new focal lengths to the Hugo range.
Joining the 10 existing Leitz Hugo focal lengths, the Hugo II lenses, named for their slower aperture, introduce new options that offer some size advantages and slightly different looks with the 75 mm and 90 mm, while the 66 mm fills the gap between 50 mm and 75 mm.
Read more about the Hugo II here at https://www.cinematography.world/leitz-cine-announces-three-new-lenses-in-the-leitz-hugo-series/
Funeral Services for Andreas Fisher Hansen DFF
On Sunday 25th of August funeral services were held for former IMAGO President Andreas Fisher Hansen DFF at Tibirke church in Tisvilde, Denmark. A substantial crowd of mourners was present, consisting of next of kin, family, friends and colleagues from the world of cinema from both near and far away.
Those of us who made the trek from a foreign country, uneasily anticipating a somewhat depressing service held in a dark and gloomy church, were very pleasantly surprised to find that the memorial ceremony was held outdoors in a beautifully idyllic countryside churchyard under a clear blue sky. The circumstances and setting could hardly have been improved upon.
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