“Indiana Jones och kristalldödskallens rike”
Den senaste Indiana Jones filmen går nu som bäst på biograferna. American Cinematographer har i sitt senaste nummer en utförlig och läsvärd artikel om inspelningen och hur filmfotografen Janusz Kaminski har arbetat.
Stillbildsfoto: David James/Paramount Pictures
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”The DI Dilemma, or: Why I Still Love Celluloid”
Under denna rubrik har filmfotografen John Bailey, ASC, har skrivit en artikel om hur han ser på digitalt efterarbete och varför han fortfarande föredrar klassiskt filmefterarbete.
Senaste 5 nyheterna
Lisabi Fridell FSF awarded the Guldbagge award for best cinematography
Her work on “Crossing” (Passage), directed by Levan Akin, earned her the award. The film also received awards for best film and best director. This is Lisabis’s second time receiving the award, having also received it for her cinematography on “And Then We Danced” in 2020.
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Professors Day at Pinewood Studios
”I hear you paint houses!”
I was reminded of that famous line from Martin Scorsese’s ”The Irishman”, when SONY representative Daniel Listh told me at Camerimage recently ”We’ve heard you also teach cinematography”.
And when I confirmed that he was indeed right about that, he offered ”so we’d like to invite you a few weeks from now to our Digital Production Centre at Pinewood Studios, if the dates work with your other commitments”. Of Course I was thrilled to hear this, and asked if it’d be okay to bring along a colleague and fellow FSF Board member, and yes that was fine. SONY has the Bucks. 🙂
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Camerimage 2024
It can’t have escaped many that the 32nd edition of the Camerimage Film Festival, held recently in the picturesque little medieval city of Torun in Poland, has been accompanied by considerable controversy. Some high-profile ”no-shows”, like director Steve mcQueen and his DP Yorick Le Saux deciding not to attend the festival even though their historical war drama ”Blitz” was the festival’s opening feature, and similarly the director-cinematographer team of Coralie Fargeat and Benjamin Kračun pulling their film ”The Substance” out of the competition, put something of a dent in the festival.
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