Oscars: Cinematographers Explain How They Got Their Shots
Bild från: COURTESY OF A24
The startling black-and-white cinematography of “The Lighthouse” struck a chord with the Academy, resulting in Blaschke’s first nom after 20 years of work in the independent film scene. Having previously collaborated with director Robert Eggers on their acclaimed horror film “The Witch,” the duo went to new lengths in psychological terror with “The Lighthouse,” with Blaschke relying on off-kilter angles to induce viewer anxiety.