BAFTA BEST CINEMATOGRAPHY – WINNER “ALL QUIET ON THE WESTERN FRONT”
Cinematographer James Friend received the BAFTA AWARD for best cinematography for the film “ALL QUIET ON THE WESTERN FRONT””
He has used the following equipment:
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Arri Alexa 65, Arri Prime 65S Lenses
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Arri Alexa Mini LF, Arri Prime DNA, Tribe7 Blackwing7 and Zeiss Compact Prime CP.3 Lenses(lenses)
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Red Weapon Monstro, Arri Prime DNA Lenses(visual effects plates)
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Sony CineAlta Venice, Arri Prime DNA Lenses(some scenes)
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Professors Day at Pinewood Studios
”I hear you paint houses!”
I was reminded of that famous line from Martin Scorsese’s ”The Irishman”, when SONY representative Daniel Listh told me at Camerimage recently ”We’ve heard you also teach cinematography”.
And when I confirmed that he was indeed right about that, he offered ”so we’d like to invite you a few weeks from now to our Digital Production Centre at Pinewood Studios, if the dates work with your other commitments”. Of Course I was thrilled to hear this, and asked if it’d be okay to bring along a colleague and fellow FSF Board member, and yes that was fine. SONY has the Bucks. 🙂
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Camerimage 2024
It can’t have escaped many that the 32nd edition of the Camerimage Film Festival, held recently in the picturesque little medieval city of Torun in Poland, has been accompanied by considerable controversy. Some high-profile ”no-shows”, like director Steve mcQueen and his DP Yorick Le Saux deciding not to attend the festival even though their historical war drama ”Blitz” was the festival’s opening feature, and similarly the director-cinematographer team of Coralie Fargeat and Benjamin Kračun pulling their film ”The Substance” out of the competition, put something of a dent in the festival.
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