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Definition Magazine NAB 2015

NAB 2015 - Day OneHär kan du ladda ner dag 1, 2 och 3 om NAB

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2023-06-06 | Hans Hansson
Welcome to the June 2023 Digital Edition of ICG Magazine!
By clicking here you will have full access to the industry’s leading filmmaking publication.
2023-06-05 | Hans Hansson
Bringing the art of glass into focus…
The newest addition to our Focus On series is here, and this time we’re putting the spotlight on lenses. We’re zooming into the world of lenses to examine the treasured glass at the heart of a production which helps set the mood and tone, create an emotional response, tell stories, and build a world on screen.
Read here at British Cinematographer
2023-06-04 | Hans Hansson
The 8th IMAGO/FNF Oslo Digital Cinema Conference 2023
The Norwegian Society of Cinematographers FNF will together with IMAGO, the Danish Society of Cinematographers DFF and the Swedish Society of Cinematographers FSF, arrange the 2023 Oslo Digital Cinema Conference 16th to 18th June 2023.
Location: The Norwegian Film Institute, Oslo, Norway. Target group: all professional Cinematographers.
Read more here at IMAGO
Please see more detailed information and a detailed program here
2023-06-04 | Hans Hansson
A Deep Dive into Hoyte Van Hoytema’s Techniques in “Her”
At the heart of this visually arresting masterpiece is the masterful work of Hoyte Van Hoytema, FSF, ASC,NSC, the film’s cinematographer. Hoytema, a name that carries substantial weight in cinematography, brought his unique artistic vision to the film, seamlessly merging aesthetics with narrative to weave a visual tapestry of love, loneliness, and the human connection in a digital age. In this blog post, we dive deep into Hoytema’s contribution to “Her,” exploring how his technical brilliance and creative genius shaped the film’s unique visual style.
Read the article at Cilovers
2023-06-04 | Hans Hansson
Cooke Optics Partners With EZtrack: Facilitating CG Workflow
The champion of lens metadata — Cooke Optics, has partnered with EZtrack — a company that specializes in CG (Computer Generated) tracking, in order to facilitate CG workflow. The goal is to grant the director the CG elements in NRT (Near Real Time) while shooting.
Explore this fascinating case study at YM Cinema
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